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I have fond memories of all my NEBT experiences. The final movement The ballet is an abstract response to the spirit of the music. Read in this blog how the creative team brought this Brazilian tale to life: www. Today we are sharing some more gorgeous rehearsal photos by Deborah Jaffe Photography. This time, they are all of 'Two Husbands', the new ballet by Daniela Cardim , telling the story of a young woman caught between two men We can't wait to see it on stage and we bet neither can you: 'Two Husbands' will be performed as part of 'New Works', September at the LilianBaylisStudio.

In the last of our interview mini-series with Peter Leung Choreographer we asked him about how he likes to work in the studio. I have ideas but I let things flow and encourage and need that the dancers and teams that I work with are open to collaboration. I was a professional ballet dancer for 18 years and I know how important it was for me to be involved in a creative process. I believe in the active state of Get tickets at www.

We also asked Peter Leung Choreographer about his journey as a choreographer. Here is what he told us:. My most fulfilling and challenging times were with contemporary choreographers and the biggest turning point was probably working with Saburo Teshigawara, an astonishing Japanese choreographer who created Sacre du Printemps for us.

He created an absolutely incredible piece of art. Challenging, beautiful and otherworldly. When I get back in the dance studio, I want to bring the best of those things together. Get tickets here: www. We caught up with Peter Leung Choreographer about his career and his way of working. Here he talks about his new creation for 'New Works':. So much of my training was based on gender that I am fascinated by playing with these boundaries For the music I asked Nicholas Robert Thayer, another collaborator of mine, if he could develop an electronic score for me.

We are creating a completely original mini-work, where the interdisciplinary nature of ballet gets to shine through. Watch it September as part of 'New Works': www. Jump to. Sections of this page. Accessibility Help. Email or Phone Password Forgot account? Log In. Forgot account?

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Not Now. Visitor Posts. Graham Goldspring. Brilliant evening last Friday. Great choreography for 'Remembrance', Excellent dancing for the 'Four Seasons' too. Look forward to seeing this company again. See More. And this same progeny of evils comes From our debate, from our dissension; We are their parents and original. Do you amend it, then; it lies in you. Why should Titania cross her Oberon? Set your heart at rest; The fairy land buys not the child of me. But she, being mortal, of that boy did die; And for her sake do I rear up her boy; And for her sake I will not part with him.

How long within this wood intend you stay? Perchance till after Theseus' wedding-day.

Give me that boy and I will go with thee. Not for thy fairy kingdom. Fairies, away! We shall chide downright if I longer stay. Well, go thy way; thou shalt not from this grove Till I torment thee for this injury. My gentle Puck, come hither. I remember.

Morrissey • Irish Blood, English Heart (CC) [Karaoke Instrumental Lyrics]

Yet mark'd I where the bolt of Cupid fell. It fell upon a little western flower, Before milk-white, now purple with love's wound, And maidens call it Love-in-idleness. Fetch me that flow'r, the herb I showed thee once. Fetch me this herb, and be thou here again Ere the leviathan can swim a league. I'll put a girdle round about the earth In forty minutes.

And ere I take this charm from off her sight, As I can take it with another herb, I'll make her render up her page to me. But who comes here? I am invisible; And I will overhear their conference. I love thee not, therefore pursue me not. Where is Lysander and fair Hermia? The one I'll slay, the other slayeth me. Hence, get thee gone, and follow me no more. You draw me, you hard-hearted adamant; But yet you draw not iron, for my heart Is true as steel.

Leave you your power to draw, And I shall have no power to follow you. Do I entice you?

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Do I speak you fair? And even for that do I love you the more. I am your spaniel; and, Demetrius, The more you beat me, I will fawn on you. Use me but as your spaniel, spurn me, strike me, Neglect me, lose me; only give me leave, Unworthy as I am, to follow you.

English language texts in period speech

What worser place can I beg in your love, And yet a place of high respect with me, Than to be used as you use your dog? Tempt not too much the hatred of my spirit; For I am sick when I do look on thee. And I am sick when I look not on you. You do impeach your modesty too much To leave the city and commit yourself Into the hands of one that loves you not; To trust the opportunity of night, And the ill counsel of a desert place, With the rich worth of your virginity. Then how can it be said I am alone When all the world is here to look on me? I'll run from thee and hide me in the brakes, And leave thee to the mercy of wild beasts.

The wildest hath not such a heart as you. I will not stay thy questions; let me go; Or, if thou follow me, do not believe But I shall do thee mischief in the wood. Ay, in the temple, in the town, the field, You do me mischief. Fie, Demetrius! Your wrongs do set a scandal on my sex. I'll follow thee, and make a Heaven of Hell, To die upon the hand I love so well.

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Fare thee well, nymph; ere he do leave this grove, Thou shalt fly him, and he shall seek thy love. Welcome, wanderer.


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Ay, there it is. I pray thee give it me. Thou shalt know the man By the Athenian garments he hath on. Effect it with some care, that he may prove More fond on her than she upon her love.

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And look thou meet me ere the first cock crow. Fear not, my lord; your servant shall do so. Stage Direction. Puck , "a goblin, mischievous sprite Of Celtic origin. Skeat, Ety.